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The Ain-i Akbari, Abul Fazl 'Allami, vol. I, trad. par H. Blochmann, Delhi, Aadiesh Book Depot, 3e éd., 1965.

The Ain-i Akbari, Abul Fazl 'Allami, vol. II et III, trad. par H.S. Jarrett, éd. par J. Sarkar, New Delhi, Oriental Books Reprint Corporation, 3e éd., 1977-78.

Kitab-i-nauras, Adil Shah II, Ibrahim, éd. et trad. par Nazir Ahmad, New Delhi, Bharatiya Kala Kendra, 1956.

Sangita-parijata ka vivecanatmaka adhyayan, Ahobala, Ph. D. dissertation par K.D. Nautiyal, Bénarès, Banaras Hindu University, 1982.

The Making of Indo-Persian Culture , Indian and French Studies, M. Alam, F.N. Delvoye et M. Gaborieau, New Delhi, Manohar et Centre de Sciences Humaines, 2000.

A la Cour du Grand Moghol, Paris, Bibliothèque nationale, 1986.

The Two Worlds of Colonel Skinner 1778-1841, M. Archer, History Today, Sept, 1960, p. 608-15.

The Social History of the Nautch Girl, M. Archer, The Saturday Book, n° 22, 1962, p. 242-54.

British Drawings in the India Office Library, vol. I et II, M. Archer, Londres, Her Majesty's Stationery Office, 1969.

Company Drawings in the India Office Library, M. Archer, Londres, Her Majesty's Stationery Office, 1972.

Company Paintings , Indian paintings of the British Period, M. Archer, Londres, V&A Publications, 1992.

India Revealed , The Art and Adventures of James and William Fraser 1801-1835, Archer, M. et T. Falk, Londres, Cassell, 1989.

The Library of A. Chester Beatty : A Catalogue of the Indian Miniatures, Arnold, T.W. and J.V.S. Wilkinson, 3 vol., Londres , Emery Walker Ltd., 1936 .

The Art of India and Pakistan , A Commemorative Catalogue of the Exhibition Held at the Royal Academy of Arts, L. Ashton, Londres, 1947-1948 , Londres, Faber and Faber, 1950.

Historical Value of Basatin-ul-uns : A Rare Literary Work of the Early 14th Century, S.H. Askari, The Journal of the Bihar Research Society, n° 48 (1-4), 1962, p. 1-29.

Music in Early Indo-Persian Literature, Malik Ram Felicitation Volume, S.H. Askari, New Delhi, Malik Ram Felicitation Committee, 1972, p. 89-120.

Art of India : Paintings and Drawings in the Victoria & Albert Museum, Surrey, Emmet Publishing, 1992.

Sangeeta Ratnakaram of Nissanka Sarngadeva, R.R. Ayyangar, Bombay, Wilco Publishing House, 1978.

Die Anfänge des Streichinstrumentenspiels, Bachmann, W., Leipzig , VEB Breitkopf and Härtel, 2e éd., 1966 , trad. The Origins of Bowing par N. Deane, London, Oxford University Press, 1969.

Bogen, in Die Musik in Geschichte und Gegenwart, Bachmann, W., vol. I, éd. par L. Finscher, Kassel, Bärenreiter et Stuttgart, Metzel, 1994, p. 1635-44.

Hand-Book of the Manufactures and Arts of the Punjab, B.H. Baden Powell, vol. II, Lahore, 1872.

The Naghma-Ye-Kashal of Afghanistan, John Baily, British Journal of Ethnomusicology, n° 6, 1997, p. 117-63.

Race, Sex and Class under the Raj : Imperial Attitudes and Policies and their Critics, 1793-1905, K. Ballhatchet, New Delhi, Vikas Publishing House, 1980.

Musical Instruments of the Lower Indus Valley of Sind, N. A. Baloch, Hyderabad, Pakistan, Mehran Arts Council, 1966.

A Comprehensive Self-Instructor for the Setar, Esrar, Violin, Flute and Harmonium, H. D. Banerjea, Calcutta, 1868.

Studies in Indian Sculpture and Painting, D. Barrett, Londres, Pindar Press, 1990.

The Raj , India and the British, 1600-1947, C. A., Bayly, éd., Londres, National Portrait Gallery Publications, 1990.

The Grand Mogul , Imperial Painting in India 1600-1660, M.C. Beach, Williamstown, Mass., Sterling et Francine Clark Art Institute, 1978.

The New Cambridge History of India : Mughal and Rajput Painting, M.C. Beach, Cambridge, Cambridge University Press, 1992.

King of the World : The Padshahnama, An Imperial Mughal Manuscript from the Royal Library, M.C. Beach et E. Koch, Windsor Castle, Londres, Azimuth Editions and Sackler Gallery, 1997.

Twenty-four Plates Illustrative of Hindoo and European Manners in Bengal, Drawn on the Stone by A. Colin from sketches by Mrs. Belnos, S.C. Belnos, Londres, Smith et Elder Cornhill, 1832.

Voyage dans les États du Grand Mogol, Paris , Fayard, 1981

Collecting Objectives and the Musical Instruments from India in the Horniman Museum, London, Margaret Birley, TAASA Review , n° 8 (2), 1999, p. 16-17.

The Voice of the Sarangi : An Illustrated History of Bowing in India, Joep Bor, National Centre for the Performing Arts Quarterly Journal, n° 15 (3, 4) - 16 (1), 1986-87, p. 1-183.

The Rise of Ethnomusicology : Sources on Indian Music c .1780-c. 1890, Joep Bor, Yearbook for Traditional Music, n° 20, 1988, p. 51-73.

Masters of Raga=Meister des Raga=Les maitres du raga, J. Bor and P. Bruguiere, Berlin, Haus der Kulturen der Welt, 1992.

Akbar's India : Art from the Mughal City of Victory, M. Brand and G.D. Lowry, New York, Asia Society, 1986.

Letters Written in a Maharatta Camp, During the Year 1809, Descriptive of the Character, Manners, Domestic Habits and Religious Ceremonies of the Maharattas, T.D. Broughton, Londres, 1813 ; AES réimp., 1995.

Princes, Poets & Paladins : Islamic and Indian Paintings from the Collection of Prince and Princess Sadruddin Aga Khan, S.R. Canby, Londres, British Museum Press, 1998.

Problems of Reconstructing Kinnari Vina, Chakravarty, I., in Sarngadeva and his Sangîta-ratnâkara, éd. par P. Sharma, New Delhi, Sangeet Natak Academi, 1998, p. 282-88.

Voyages de monsieur le chevalier Chardin, en Perse, et autres lieux de l'orient, J. Chardin, vol. I et III, Amsterdam, 1711.

A la cour du Grand Moghol, M. Cohen, Paris, Bibliothèque nationale, 1986.

Catalogue of the Indian Collections in the Museum of Fine Arts, Boston, A.K. Coomaraswamy, Cambridge, Mass, Harvard University Press, 1930.

A True and Almost Incredible Report of an Englishman, that Travelled by Land through Many Unknown Kingdoms, and Great Cities, R. Coverte, Londres, 1612.

Mughal and Deccani Painting : From the Collection of the National Museum, Dr. Daljeet, New Delhi, Prakash Book Depot, 1999.

Mughal Painting during Jahangir's Time, A.K. Das, Calcutta, Asiatic Society, 1978.

The Music and Musical Instruments of Southern India and The Deccan, C.R. Day et A.J. Hipkins, Londres and New York, Novello, 1891 ; réimp. Delhi, B. R. Publishing Corp., 1977 ; Delhi, Low Price Publications, 1990.

Viaggi descritti in 54 lettere famigliari, Rome, 1650-58 ; trad.The Travels of Pietro Della Valle in India, P. Della Valle, vol. I et II, éd. par G. Havers and E. Grey, Londres, Hakluyt Society, 1892.

Indo-Persian Literature on Art-Music : Some Historical and Technical Aspects, in Confluences of Cultures , French Contributions to Indo-Persian Studies, F.N. Delvoye, éd. par F.N. Delvoye, New Delhi, Manohar, 1994, p. 93-130.

The Image of Akbar as a Patron of Music in Indo-Persian and Vernacular Sources, in Akbar and his India, éd. par I. Habib, Delhi, Oxford University Press, 1997, p. 188-214.

Indo-Persian Accounts on Music Patronage in the Sultanate of Gujarat, in The Making of Indo-Persian Culture , Indian and French Studies, F.N. Delvoye, éd. par M. Alam, F.N. Delvoye et M. Gaborieau, New Delhi, Manohar et Centre de Sciences Humaines, 2000, p. 253-80.

Life at Court : Art for Indian's Rulers, 16th-17th Centuries, V.N. Desai, Boston, Museum of Fine Arts, 1985.

Musical Instruments of India , Their History and Development, B.C. Deva Chaitanya, Calcutta, K.L. Mukhopadhyay, 1978.

Rabab, The New Grove Dictionary of Musical Instruments, A. Dick et al., vol. III, éd. par S. Sadie, Londres, Macmillan Press Limited, 1984, p. 177-83.

Vina, The New Grove Dictionary of Musical Instruments, vol. 3, ed. by S. Sadie, A. Dick and R. Widdess, Londres, Macmillan Limited, 1984, p. 728-35.

The Emperor Jahangir, Connoisseur of Painting, M.S. Dimand, Bulletin of the Metropolitan Museum of Art, n°2, 1943-1944, p. 196-200.

Treasures of Indian Art : Germany's Tribute to India's Cultural Heritage, S. Doshi, ed., Berlin, Museum für Indische Kunst et National Museum New Delhi, 1998.

The Art of Persian Music and Lessons from Master Dariush Safvat, J. During et Z. Mirabdolbaghi, Washington DC, Mage Publishers, 1991.

A Various Universe : A Study of the Journals and Memoirs of British Men and Women in the Indian Subcontinent, 1765-1856, K.K. Dyson, Delhi, Oxford University Press, 1978.

Sufis of Bijapur : Social Roles of Sufis in Medieval India, R.M. Eaton, New Delhi, Munshiram Manoharlal, 1996.

Ragamala Painting, K. Ebeling, Basel and New Delhi, Ravi Kumar, 1973 ; New York, Paragon, 1974.

Up the Country : Letters Written to her Sister from the Upper Provinces of India, E. Eden, éd. par E. Thompson, Oxford, Oxford University Press ; Londres, Curzon Press, 1978.

An Account of the Kingdom of Caubul, M. Elphinstone, réimp. de la 3e éd., Karachi, Oxford University Press, 1972.

Patrons and Performers in Rajasthan, J.L. Erdman, Delhi, Chanakya Publications, 1985.

Petitions to Patrons , Changing Culture's Substance in Twentieth Century Jaipur, in Arts Patronage in India, Methods, Motives and Markets, J.L. Erdman, éd. par J. L. Erdman, Delhi, Manohar, 1992, p. 143-77.

L'Extraordinaire aventure de Benoît de Boigne aux Indes, Paris, Ville de Chambéry, Conseil Général de Savoie et Fondation Mona Bismark, 1996.

Quinze visites musicales à l'Exposition universelle de 1855, A. de la Fage, Paris, Tardif, Libraire, 1856.

Histoire générale de la musique et de la danse, A. de la Fage, vol. I et II, Paris, Au comptoir des imprimeurs unis, 1844.

Indian Miniatures in the India Office Library, T. Falk and M. Archer, Londres, Sotheby Parke Bernet, Delhi et Karachi, Oxford University Press.

India Revealed , The Art and Adventures of James and William Fraser 1802-35, T. Falk et M. Archer, Londres, Cassell, 1989.

Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana, Faqirullah, Nawab Saif Khan, éd. par S. Sarmadee, Delhi, Indira Gandhi National Centre for the Arts et Motilal Banarsidass Publishers Pvt. Ltd., 1996.

The Evolution of the Tanbur or Pandore, in Transactions of the Glasgow University Oriental Society, n° 26-27, 1926, p. 26-28.

Studies in Oriental Musical Instruments, H.G. Farmer, H.G., vol. I et II, Londres , H. Reeves, 1931, 1939 ; réimp. Boston, Longwood Press, 1978.

The Music of Islam, in Ancient and Oriental Music, Farmer, H.G., ed. E. Wellesz, Londres, Oxford University Press, 1957, p. 421-77.

Abdalqadir Ibn Gaibi on Instruments of Music, H.G. Farmer, in Oriens, n° 15, 1962, p. 242-68.

Iranian Musical Instruments in the Ninth/Fifteenth Century, H.G. Farmer,in Islamic Culture, n° 38 (3), 1964, p. 175-81.

Musikgeschichte in Bildern : Islam, vol. III (2), H.G. Farmer, Leipzig, VEB Deutscher Verlag für Musik, 1976.

Studies in Oriental Music, H.G. Farmer, vol. I et II, éd. par E. Neubauer, Frankfurt am Main, Institute for the History of Arabic-Islamic Science, 1997.

Amir Khusrau's Contribution to the Indus-Muslim Music, S.Q. Fatimi, Islamabad , Pakistan National Council of the Arts, 1975.

The Journal of Mrs. Fenton : A Narrative of her Life in India, the Isle of France, and Tasmania during the Years 1826-1830, E.S. Fenton, éd. par H. Lawrence, Londres, 1901.

Histoire générale de la musique depuis les temps anciens jusqu'à nos jours, vol. I à V, F.J. Fetis, Paris , Librairie de Firmin Didot Frères, Fils et Cie, 1869-1876; réimp. Hildesheim, Georg Olms Verlag, 1983.

Fine Oriental Manuscripts and Miniatures, Londres, Sotheby's, 14th December 1987.

An Extract of a Letter from Francis Fowke, Esq. to the President, Fowke, F., in Asiatick Researches, I, 1788, p. 295-99; réimp. On the Vina or Indian Lyre, in Hindu Music from Various Authors, éd. par S.M. Tagore, Varanasi , Chowkhamba, 3e éd. 1965, p. 191-97.

The Music of Hindostan, Oxford 1914, A.H. Fox Strangways, Clarendon Press. Réimp. Oxford 1965, Oxford University Press ; New Delhi 1975, Oriental Books Reprint Co. and Munshiram Manoharlal ; Delhi, Kanishka Publishing House, 1989

The Natyasastra , A Treatise on Hindu Dramaturgy and Histrionics Ascribed to Bharata-Muni, vol. II, M. Ghosh, trad., Calcutta, The Asiatic Society, 1961.

The Travels of Ibn Battuta, vol. III, Gibb, H.A.R., éd., trad. par C. Defrémery et B.R. Sanguinetti, Cambridge, Hakluyt Society and Cambridge University Press, 1971.

Rasa, les neuf visages de l'art indien, B.N. Goswamy, éd., Paris, Galeries nationales du Grand Palais, 1986.

Wunder einer Goldenen Zeit, B.N. Goswamy et E. Fischer, Zürich, 1987.

The Major Traditions of North Indian Tabla Drumming, vols. I et II, R. Gottlieb, Munich , Emil Katzbichler, 1977; édition révisée, Solo Tabla Drumming of North India , Its Repertoire, Styles, and Performance Practices, vol I et II. Delhi, Motilal Banarasidass, 1993.

Musical Instruments of Akbar's Court, J.A. Greig, in Journal of Asian Culture, n° 4, 1980, p. 154-77.

Tarikh-i Sangita , The Foundations of North Indian Music in the Sixteenth Century, J.A. Greig, Ph. D. dissertation, University of California, Los Angeles, 1987.

The Political Theory of the Delhi Sultanate, M. Habib and A.U.S. Khan, Allahabad, 1960.

Indian Miniatures of the Moghul School, T. Hájek, Londres, Spring Books, 1960.

Essays on History of Indo-Pak Music, A. Halim, Dacca, chez l'auteur, 1962.

Musical Instruments of North India, Eighteenth Century Portraits, Baltazard Solvyns, R.L. Hardgrave et S.M. Slawek, New Delhi, Manohar, 1997.

The Rehla of Ibn Battuta (India, Maldive Islands and Ceylon), M. Husain, trad., Baroda, Oriental Institute, 1976.

Melody through the Centuries, Imam, M.K. Hakim, trad. par Govind Vidyarthi, in Sangeet Natak Akademi Bulletin, vol. XI et XII, 1959, p. 13-26 et 33.

Indian Music and Harmoniums, in The Dawn Magazine, n° 7 (1, 3), 1911, p. 65-88.

Islamic Masterpieces of the Chester Beatty Library, cat. d'exp., D. Jones, Londres, World of Islam Festival Trust, 1981.

On the Musical Modes of the Hindus, W. Jones, in Asiatic Researches n° 3, 1792, p. 55-87. Trad. Ueber die Musik der Indier, Eine Abhandlung des Sir William Jones, par F.H. von Dalberg, Erfurt , Beyer und Maring, 1802 ; réimp. W. Jones et N.A. Willard, Music of India, Calcutta, Susil Gupta, 1962, p. 89-112 ; éd. par S.M. Tagore, Hindu Music from Various Authors, Bénarès, Chowkhamba, 3e éd., 1965, p. 123-60.

Sangit sastrakar va kalavant yanca itihas, L.D. Josi, Pune, Laksman Dattatreya Josi, Arya Bhusan Press, 1935.

Introduction : Sastra, Prayoga and Sangita, J. Katz, J., in The Traditional Indian Theory and Practice of Music and Dance, éd. par J. Katz, Leiden, E.J. Brill, 1992, p. 1-8.

The Ragas of North India, W. Kaufmann, Bloomington , International Affairs Center and Indiana University Press, 1968 ; réimp. New Delhi, Oxford and IBH Publishing Co., 1993.

Purani Dehli he halat, Dargat Quli Khan, trad. du Muraqqa'-i Dehli du persan en Urdu par Khwaja Hasan Nizami, Delhi, Majub al-tabi'a burqi Press, 1933.

Muraqqa'-e-Dehli : The Mughal Capital in Muhammad Shah's Time, Dargah Quli Khan, trad. par C. Shekhar et S.M. Chenoy, Delhi, Deputy Publication, 1989.

Muraqqa'-i Dehli, Dargah Quli Khan, éd. avec texte en persan et urdu trad. par Nur al-Hasan Ansari, New Delhi, Urdu Department, Delhi University, 1982.

Ma'dan al-musiqi, Muhammad Karam Imam Khan, Lucknow, Hindustani Press, 2e éd., 1925.

Sarmaya-i 'ishrat or Qanun-i musiqi, Ali Sadiq Khan, Delhi, Munshi Muhammad Ibrahim, 2e éd., 1884.

Fan musiqi ke kuch bade fankar, Khan, Vilayat Husain, in Ajkal musiqi ank, 1957, p. 28-30.

A Contemporary Portrait of Tansen, K. Khandalavala et M. Chandra, Lalit Kala, n° 1-2, 1955-1956, p. 11-21.

Letters from the Island of Teneriffe, Brazil, the Cape of Good Hope, and the East Indies, J. Kindersley, Londres, 1977.

The Tabla of Lucknow : A Cultural Analysis of a Musical Tradition, J. Kippen, Cambridge, Cambridge University Press, 1988.

Hindustani Tala, in The Garland Encyclopedia of World Music - South Asia, The Indian Subcontinent, J. Kippen, éd. par A. Arnold, New York, Garland Publishing Inc., 2000, p. 110-37.

Folk Grooves and Tabla Tals, J. Kippen, ECHO , A Music-Centered Journal, n° 3 (1), 2001, www.humnet.ucla.edu/echo/kippen/

Wajid Revisited, A Reassessment of Robert Gottlieb's Tabla Study, and a New Transcription of the Solo by Wajid Hussain Khan of Lucknow, J. Kippen, in Asian Music, Vol. XXXIII, n°2, 2002.

The Private Life of an Eastern King : Compiled for 'A Member of the Household' of his Late Majesty, Nuseer-u-Deen, King of Oude, W. Knighton, Londres, G. Routledge & Co., 1856.

The Langas : A Folk-Musician Caste of Rajasthan, K. Kothari, Sangeet Natak, n° 27, 1973, p. 5-26.

Indian Miniature Paintings and Drawings, L.Y. Leach, Cleveland, The Cleveland Museum of Art and Indiana University Press, 1986.

Mughal and other Indian Paintings from the Chester Beatty Library, 2 vol., L.Y. Leach, Londres, Scorpion Cavendish, 1995.

A Fatal Friendship , The Nawabs, the British, and the City of Lucknow, R. Llewellyn-Jones, Delhi, Oxford University Press, 1985.

The Art of the Book in India, J.P. Losty, Londres, The British Library, 1982.

Indian Book Painting, J.P. Losty, Londres, The British Library Board, 1986.

Catalogue descriptif et analytique du Musée Instrumental du Conservatoire Royal de Bruxelles, vol. I à V, V.C. Mahillon, Gand, 1880 ; réimp. Gand , Ad. Hoste, 1893.

Musical Instruments in the Texts and Miniatures of the Baburnama, A. Malkeyeva, RIdIM/RCMI Newsletter, n° 22 (1), 1997, p. 12-22.

Farhang-e sazha, H.A. Mallah, Teheran, Ketab Sara, 1997.

Storia do Mogor, or Mogul India 1653-1708, 4 vol., N. Manucci, trad. par W. Irvine, Londres, John Murray, 1907; New Delhi, Oriental Books Reprint Corporation, 1981.

Les instruments de musique de l'Inde ancienne, C. Marcel-Dubois, Paris, Presses Universitaires de France, 1941.

The Dynamics of Social and Musical Status in Hindustani Music , Sarodiyas, Seniyas and the Margi-Desi Paradigm, A. McNeil, Ph. D. dissertation, Monash University, 1992.

De Roep van de Kokil , Historische en Hedendaagse Aspecten van de Indiase Muziek, W. van der Meer et J. Bor, Gravenhage, Martinus Nijhoff, 1982.

A Guide to the Collection of Musical Instruments Exhibited in the Ethnographical Gallery of the Indian Museum, A.M. Meerwarth, Calcutta, Zoological Survey of India, 1917.

Harmonie Universelle, contenant la théorie et la pratique de la musique, M. Mersenne, Paris, 1636-1637 ; réimp. Paris, Éditions du C.N.R.S., 1963, 1986.

Sitar and Sarod in the 18th and 19th Centuries, A. Miner, Intercultural Music Studies n° 5,  in International Insitute for Traditional Music, Wilhelmshaven , Florian Noetzel, 1993 ; réimp. Delhi, Motilal Banarsidass, 1997.

The Sangitopanisat-saroddharah , A Fourteenth-Century Text on Music from Western India, A. Miner, éd. et trad., New Delhi, IGNCA, 1998.

Khalifa Abid Husain Khan, S. Misra, National Herald, New Delhi et Lucknow, 3 avril 1977.

Pakhawaj & Tabla : History, Schools and Traditions, A. E. Mistry, trad. par Y.E. Tarapore, Mumbai, Keki S. Jijina, Swar Sadhna Samiti, 1999.

Volkskunst, Kunsthandwerk und Kleinkunst Indiens, in Miniaturen, Volks- und Gegenwartskunst Indiens, H. Mode, éd. par R. Hickmann, H. Mode and S. Mahn, Leipzig, 1975, 122-232.

Sa blev jeg Dilettant og Samler, M. Müller, in Meddelelser fra Musikhistorisk Museum og Carl Claudius' Sameling, VII 1996-1999, Copenhagen, 2000.

Sangitanarayana, Narayanadeva, Gajapati, Bhubhaneswar, The Orissa Sangeet Natak Akademi, 1966.

The Life of Music in North India : The Organization of an Artistic Tradition, D.M. Neuman, Detroit - New Delhi, Wayne State University Press and Manohar, 1980 ; réimp. Chicago, The University of Chicago Press, 1990.

Nautch Girls of India : Dancers, Singers, Playmates, P. Nevile, Delhi, Ravi Kumar Publishers, 1996.

Dattilam , A Compendium of Ancient Indian Music, E. te Nijenhuis, Leiden, E.J. Brill, 1970.

Tabaqat-i Akbari, vol. III, K. Nizamuddin Ahmad, éd. et trad. par B. De and B. Prasad, Calcutta, 1927-39.

Cinq dessins de Basawan au musée Guimet, A. Okada,in Arts Asiatiques, n° 41, 1986, p. 82-88.

Le Grand Moghol et ses peintres : Miniaturistes de l'Inde aux XVIe et XVIIe siècles, A. Okada, Paris, Flammarion, 1992.

The Musée Guimet's Prince with a Falcon, an Unknown Portrait by Ustad Mansur, A. Okada, in Essays in Honour of Karl Khandalavala, éd. par B.N. Goswamy, New Delhi, Lalit Kala Akademi, 1995.

Sufyana Kalam, the Classical Music of Kashmir, J. Pacholczyk, in Asian Music, n° 10 (1), 1978, p. 1-16.

Dancing to the Flute , Music and Dance in Indian Art, P. Pal., éd., Sydney, The Art Gallery of New South Wales, 1997.

A European Experience of the Mughal Orient, A. Polier, trad. par M. Alam and S. Alavi, New Delhi, Oxford University Press, 2001.

The Music of India, H.A. Popley, Calcutta and London , Association Press and Oxford University Press, 1921 ; réimp. Calcutta , Y.M.C.A. Publishing House, 1950 ; Delhi, Low Price Publications, 1990.

Historical Development of Indian Music, Prajnanananda, Swami, Calcutta, K.L. Mukhopadhyay, 1973.

Benares Illustrated in a Series of Drawings, Lithographed in England by Eminent Artists, J. Prinsep, Calcutta, Baptist Mission Press, 1833.

Report of the Third All-India Music Conference Benares, Benares , n.p., 1920. C. Restle, ed., In aller Munde , Mundharmonika, Handharmonika, Harmonium, Eine 200-jährige Erfolgsgeschichte, Berlin, Musikinstrumenten-Museum, 2002.

The Wonder That Was India, vol. II, S.A.A. Rizvi, Londres, Sidgwick & Jackson Ltd., 1987.

Tuzuk-i-Jahangiri or Memoirs of Jahangir, 2 vol., A. Rogers et H. Beveridge, trad., New Delhi , Munshiram Manoharlal, 3e éd., 1978, Roy Chaudhury, V., Bharatiya Sangeet Kosh, New Delhi, Bharatiya Jnanpith, 1975.

The Musicians of India (Illustrated), Roy Chowdhury, H.K., Ramgopalpur, Mymensingh, Chez l'auteur, 1929.

Die Musikinstrumente Indiens und Indonesiens, C. Sachs, Berlin und Leipzig, Walther de Gruyter and Co., 2e éd., 1923.

The History of Musical Instruments, C. Sachs, New York, W.W. Norton & Co., 1940, 2e éd., 1968.

Musical Genius of Amir Khusrau, S. Sarmadee, in Memorial Volume Amir Khusrau, New Delhi Publications Division, Ministry of Information and Broadcasting, 1975, p. 33-61.

Ghunyat-ul-munya : The Earliest Known Persian Work on Indian Music, S. Sarmadee, éd., Bombay, Asia Publishing House, 1978.

Lehjat-e-Sikandershahi, S. Sarmadee, éd., New Delhi , Indian Council of Historical Research et Northern Book Centre, 1999, S. Sarmadee, Nur-ratnakar, vol. I, éd. par P. L. Sharma et F. N. Delvoye, Calcutta, Sangeet Research Academy, 2003.

Sarngadeva, Sangitaratnakara, with the Kalanidhi of Kallinatha and the Sangita-sudhakara of Simhabhupala, vol. I à IV, éd. par S. Subrahmanya Sastri, Madras , The Adyar Library et Research Centre, 1943-1959.

Sangit sudarsan, Sastri, Sudarsanacarya,

Bénarès, Chowkhamba Sanskrit Series, 1916.

The Triumphal Sun , A Study of the Works of Jalaloddin Rumi, A. Schimmel, Albany (NY), State University of New York Press, 1993.

After the Great Mughals , Paintings in Delhi and the Regional Courts in the 18th and 19th Centuries, B. Schmitz, éd., Mumbai, Marg Publications, 2002.

Zum Stein des Jahres : Floete aus Jade, G. Schroedter, in Der Ausfschluß, n° 26 (4/5), 1975.

Music and Musical Instruments in the Paintings of the Akbar Nama, G. Sen, in Quarterly Journal of the National Centre for the Performing Arts, n° 8 (4), 1979, p. 3.

Paintings from the Akbar Nam, A Visual Chronicle of Mughal India, G. Sen, Calcutta, Lustre Press, 1984.

The Islamic World in Foreign Travel Accounts, vol. LXXIX, F. Sezgin, éd., Frankfurt am Main, Institute for the History of Arabic-Islamic Science, 1997.

Lucknow , The Last Phase of an Oriental Culture, A.H. Sharar, trad. par E.S. Harcourt and F. Hussain, Londres, Paul Elek, 1975.

Radhagovind-sangit-sar, vol. I à VII, Maharaj Sawai Pratap Singh, Pune, Poona Gayan Samaj, 1910-1912.

The Indian Heritage : Court Life & Arts under Mughal Rule, R. Skelton, éd., Londres, Victoria and Albert Museum, 1982.

Les Hindoûs, ou Description de leurs mœurs, coutumes et cérémonies, vol. II, F.B. Solvyns, Paris, chez l'auteur, 1810.

Art of the Persian Courts : Selections from the Art and History Trust Collection, A. Soudavar et M.C. Beach, New York, Rizzoli, 1992.

Miniatures orientales de l'Inde, vol. IV, J. Soustiel and M.C. David, Paris, 1986.

Hindu Music from various authors, S.M. Tagore, éd., Calcutta , Punchanun Mukherjea, 1875; réimp. avec 2e partie, Calcutta, I. C. Bose, 1882 ; Bénarès, Chowkhamba, 1965.

Yantra kosha or A Treasury of the Musical Instruments of Ancient and of Modern India, and of Various Other Countries, S.M. Tagore, Calcutta, Ghose, 1875 ; réimp. New York, AMS Press, 1976.

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Catalogue of Indian Musical Instruments, M. Taylor, presented by Colonel P.T. French, Proceedings of the Royal Irish Academy , n° 9 (1), 1864-66, p. 106-125; réimp. dans S.M. Tagore, Hindu Music from Various Authors, Bénarès, Chowkhamba, 3e éd., 1965, p. 243-73.

The Travels of Peter Mundy in Europe and Asia, 1608-1667, vol. II, R.C. Temple, éd. par R.C. Temple, Londres, Hakluyt Society, 1914.

The Jahangirnama :, Memoirs of Jahangir, Emperor of India, W.M. Thackston, éd. et trad., New York et Oxford, Freer Gallery of Art, Arthur M. Sackler Gallery et Oxford University Press, 1999.

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Sarod Performance Practice in the Twentieth Century , Tradition and Transformation in North Indian Classical Instrumental Music, D.B. Trasoff, Ph.D. dissertation, University of California, Santa Barbara, 1999.

Gupta Coinage, R. Vanaja, in Marg, n° 42 (3), 1991, p. 38.

Myths, Saints and Legends in Medieval India, C. Vaudeville, Delhi, Oxford University Press, 1996.

Khyal : Creativity within North India's Classical Music Tradition, B.C. Wade, Cambridge Studies in Ethnomusicology, Cambridge, Cambridge University Press, 1984.

Imaging Sound : An Ethnomusicological Study of Music, Art, and Culture in Mughal India, B.C. Wade, Chicago, University of Chicago Press, 1998.

Miniatures of Musical Inspiration in the Collection of the Berlin Museum of Indian Art , vol. I, E. Waldschmidt and R.L. Waldschmidt, Wiesbaden, Otto Harrassowitz, 1967 ; vol II, Berlin, Museum für Indische Kunst, 1975.

The Art of Mughal India , Painting and Precious Objects, S.C. Welch, New York, Asia Society, 1963.

Imperial Mughal Painting, S.C. Welch, New York et Londres, Brazillier, 1978.

Room for Wonder : Indian Painting during the British Period 1760-1880, S.C. Welch, New York, The American Federation of Arts, 1979.

India : Art and Culture 1300-1900, S.C. Welch, New York, The Metropolitan Museum of Art, 1985.

The Ragas of Early Indian Music :, Modes, Melodies and Musical Notations from the Gupta Period to c. 1250, R. Widdess, Oxford, Clarendon Press, 1995.

A Treatise on the Music of Hindoostan : comprising a Detail of the Ancient Theory and Modern Practice, N.A. Willard, Calcutta , Baptist Mission Press, 1834; réimp. dans W. Jones et N.A. Willard, Music of India, Calcutta , Susil Gupta, 1962, p. 1-87; éd. S.M. Tagore, Hindu Music from Various Authors, Bénarès, Chowkhamba, 3e éd., 1965, p. I-IX, 1-122.

Music of the Raj : A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society, I. Woodfield, Oxford, Oxford University Press, 2000.

Deccani Painting, M. Zebrowski, Londres, Sotheby Publications, Berkeley and Los Angeles, University of California Press, 1983.

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